Beethoven the Demanding

reading books, study

Listening and enjoying Beethoven’s music is not always an easy task. He demands attention, attention to every small detail. More than that, he demands dedication and an open heart. In this article we will see that his music is not for background noise during driving home or for elevators in expensive hotels. In order to capture its fullness and deepness …

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A little joke in Beethoven’s Eroica

We all tend to imagine Beethoven as a tragic hero, struggle against fate, his face always clouded, writing pieces like the Fifth Symphony or the Appassionata. Well, this is certainly not the truth! He loved to laugh, joke around, kidding his friends. Moreover, his music is full of joy and joking, just listen to the final movement of the Eight …

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The piano

old piano

The piano is a magnificent instrument, capable to channel the divine to our ears and hearts. It is a complicated instrument, as well. It takes two years to dry the wood used for the body, a full year and close to 12 thousand parts to build one. The piano, as we know it, was invented by Bartolomeo Cristofori, around 1700. …

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Did Mozart and Beethoven ever meet?

handshake

According to legend Beethoven not only met Mozart, but was lucky enough to receive a few lessons from him in composition. We like to mix fantasy and reality, a wishful thinking and facts. There are many layers of false traditions sticking to the heroes of humanity, Beethoven is not exception. Let us take a closer look and see if these …

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The concerto – part III.

empty orchestra

Following the first and second article in the subject, this part will be the last in discovering the basics of the concerto works. In this article we focus on the structural plan of a typical concerto music in the classical and romantic era. We established in the previous articles that for musicians the concerto was a vehicle for improvisation. The …

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The concerto – part II.

empty orchestra

Following my first article published recently, we continue our discovery in concertos. In this part we interpret the cultural background, the associated second meaning of the music. In the early eighteenth century concertos were commonly played in churches or chambers. As decades passed it was more and more ordinary to hear a concerto in a new institution, the public concert. …

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